シルバーウェア処理の部門ゴールドテクノロジーカスタムメイドと銀器生産プロセス
加えて, Inlayなどのテクニックがあります, ドットエメラルド, とエナメル. インレイに使用される10種類以上の材料があります: ホワイトジェイド, サファイア, 碧玉, トパーズ, ジェイド, ターコイズ, マラカイト, 瑪瑙, アンバー, 結晶, パール, 象牙, 等. Diancuiのプロセス: シルバージュエリーの基本型を作ります, パターンの要件に応じて、シルバーワイヤーをシルバータイヤに貼り付けます, しっかりと溶接します, そして、燃焼などの脱脂プロセスを繰り返します, 漬物とブラッシング, そして、カラートバを適用します (通常、青と緑) シルバーワイヤーフレームによって形成されたパターンに接着剤で満たされています, そして最後に洗練され、磨かれました. 点線の銀の装飾品はしばしば金色になります. 職人は青と金が最も素晴らしいことを知っています.
銀製品を作るための主なツール: silver melting furnace, wind box, hand hammer, hand pliers, multi-functional set of cutting tools, worktable, vise, spray gun, welding gun, blowtorch, crucible, measuring tool, steel tape measure, 四角, 等. 加えて, there are various types of cast copper molds, multi-function files, iron scissors, compasses, angle rulers, long-handled wire-like copper brushes, flat-end anvils, 等. The main raw and auxiliary materials for the manufacture of silverware: waste silver products, silver noodles, red copper, soldering pot, clay, coke, saponified lime, white rock, borax, sawn wood surface, bad water, dry soil, 等.
Silver jewelry processing table gold technology division
1. 鎏 (镏) gold craft: a method of decorating objects with gold. Apply the gold dissolved in mercury to the surface of the utensil with a brush, dry it, bake it with charcoal fire, and then calender it with agate. 通常、プロセス全体を3回繰り返す必要があります.
2. ゴールドプロセスを浸す: 水銀に溶解した金溶液にオブジェクトを浸します (水銀) または3つの水 (濃縮硝酸の一部と濃縮塩酸の3つの部分の混合物), そして、それを取り出します. これは金を見る最も簡単な方法です.
3. ラッカープロセス: 金属粉で作られた塗料で調理器具の表面を塗る.
4. ゴールドメッキプロセス: 電気分解または他の化学的方法を使用して金を金属または他の物体の表面に接着して金の薄い層を形成する. 5. ゴールドに固執するプロセス: 調理器具に金箔を貼り付けます.
6. 金色のテクノロジー: 金または銀を薄いスライスに叩きます, 死体に包みます, そして、ハンマーでそれをコンパクトして、手作りの銀製品を作る. 1. Casting and engraving. The casting method comes from the bronze craft, Tang Dynasty In the future, the use of gold and silver jewelry will become less and less. For engraving, use various shapes of steel chisel, and engrave the pattern on the surface or back of the blank. There are several types of engraving techniques, such as male engraving, shadow engraving, and flat and hollow type. Among the Ming Dynasty handed down pieces of Yunnan silver jewellery, a considerable part is made by a combination of casting and engraving.
2番, hammered and engraved are the main ones, and engraved and engraved are supplemented by Yunnan silver jewelry. Some are chiseled with hammers from forming to decoration, some are formed by welding after hammering, and some are decorated with silver rings and silver chains after hammering. 一部の銀のジュエリーの形は垂直の彫刻です, 丸い彫刻, また、彼らはまたhammerされ、溶接されます. 詳細は刻まれ、刻まれています.
3. フィリグリーの職人技とインレイ, 点線のエメラルドまたはエナメル織り, 積み上げられた, ピンチ, シルバーワイヤーを溶接して、さまざまな平らまたは3次元のパターンや装飾品を作成します, まとめてフィリグリー工芸と呼ばれています. 銀素材が少ない大量のジュエリーにすることができます, そして、それは非常に繊細で絶妙です. インレイ, 金メッキ, エメラルドまたはエナメル質は同時によく使用されます. 清王朝には雲南銀ジュエリーにこのタイプの宝石がたくさんありました.
銀製品処理銀器生産プロセス:
1. 銀: 最初にスケールで使用される銀素材の重量を計量します, smash the large piece of silver material into a crucible and place it on the furnace to melt. When the blast furnace becomes incandescent, the silver begins to melt, and the crucible is used to cast the copper mold with a long handle clamp.
2. Forging: When the silver material is not cold, start forging and shape the silver billet as desired.
3. 切断: lay out the silver piece according to the designed silverware artwork. The silver piece should be slightly larger than the artwork. If it is a special shape, it should be unfolded into a flat surface for processing.
4. The rough processing is preliminary to punch out the big bumps of silver jewelry
5. Make a lead holder: The role of the lead holder is to hold and fix the silver sheet to be processed for further production. Put the rough-processed silver sheet upside down in the sand box, pour the molten lead into it, and cool it down. 過去に, rosin was used as support
6. Finishing: This process includes hammering, 彫刻, と彫刻. It is the most critical place in the whole process. Many silversmiths in Yunnan call this process “carving.” The tools used for carving are a small hammer and several chisels. The chisel heads are pointed, ラウンド, フラット, crescent-shaped, petal-shaped, 等, which can be selected according to needs. When processing, the left hand holds the hammer, like a painter’s pen, the heart and hands correspond to each other, and groups of vivid and vivid patterns are carved out. The key to the pros and cons of silver jewellery is at this time. The subtle details of the carving show the craftsman’s meticulousness and accuracy.
7. 溶接: For silver ornaments that need to be welded, hang solder on the interface, put it in the fire and heat it up for a while. The ingredients of the flux, the temperature of the furnace and the length of heating time are closely related to the quality of welding.
8. 漬物: After repeated beating and medium temperature, the surface of silverware will become black or stained with impurities. したがって, pickling is required. The pickling solution is made of nitric acid and sulfuric acid, and the silver jewelry is rinsed in the pickling solution. Take it out quickly and rinse with water. It is very important to control the time of this process. The time of immersion in the pickling solution is too short and the impurities cannot be washed clean. Will affect the luster of silver jewelry. If the immersion time is too long, the pickling solution will corrode the silver jewelry and also destroy the color and finish. After rinsing and drying, be sure to choose a sunny day, the clearer the weather, the more beautiful the color of the silver ornaments after drying.